The CTP Lab team did a tutorial on how to build a self-balancing robot, and is taking part in a competition at Hackaday.io, the world’s largest collaborative hardware development community. The tutorial is also available here.
Students in their last year of the Design degree from the University of Madeira were challenged to make toys using the CTP lab machines. These toys were accomplished using both low and high technology, design and craft, local and global culture. They were meant to be regionally characteristic for the new creative communities. Some examples of the prototypes created in…
M-ITI was honored to receive the visit of the Chinese Ambassador to Portugal, Mr. Cai Run, as well as the First Secretary of the Embassy, Mr. Ma Yue, and the Second Secretary, Ms. Fan Yue on March 24. This visit was an opportunity to show the ambassador some of our work, and to explore future research partnerships.
M-ITI welcomes the Commission of Economy, Innovation and Public Works of the Assembly of the Republic
M-ITI continues to foster the relationship of research and politics, by welcoming the Commission for Economy, Innovation and Public Works of the Assembly of the Republic, on March 21. The delegation was comprised by Members of Parliament of the largest political parties. This was one of the three-day visits in Madeira, in which the Commission had protocol and working meetings…
The newest machine of the M-ITI CTP Lab has arrived! It’s a Universal Laser Cutter, able to cut wood, acrylic, paper, rubber, cloth, and other materials with very high accuracy. It is extremely fast and the most popular tool of labs like ours around the world. This new piece of equipment, made possible by the H2020 Leapfrog ERA Chair, will…
James Auger and Julian Hanna attended the Island Dynamics Conference – “REMOTE: Rethinking Remoteness and Peripherality”, in Svalbard, Longyearbyen, 16-19 January 2017. They presented the paper “Promise in the Periphery: Designing Bespoke Energy for Madeira”.
More info here.
James Auger gave a talk and had an exhibition at the Laznia Centre for Contemporary Art, 22-28 November 2016.
Modern science’s attempts both to understand and overcome a whole series of laws of nature make us remember Goethe’s famous maxim, “Stirb und Werde” – die and be renewed, cease and become. Or, to put that in layman’s terms, it assumes an effort to acquire a “postbiological personology” (that is, a phenomenologically deep interpenetration of the living and the non-living, the artificial and the natural, etc.). As we know, the desire to reach it is part of all modern culture. But if this is the case, then science, as a means of making inquiries into and drawing universal conclusions about our world, apparently, pertains not only to mankind, but to the entire sphere of mankind’s prospective becoming. In that situation the spread of next-generation technologies that embody the inevitability of postbiological types of transformation create enormous possibilities for manipulating this space. The boundaries between the biological and a-biological are disappearing, a multitude of identities are being created, and our bodies are acquiring the characteristics of a constantly drifting hybrid. Emerging are new limitations on human freedom and, correspondingly, the necessity for its reevaluation. Standard traditional discourse regarding that which we perceive and what stands behind these perceptions, the relationship of consciousness to the world around us, is becoming more polemicized because the emergence of new technologies creates possibilities to construct this world on a physical level.
Modern science and the world that has come into being with its help – this is the challenge for technological art. It is apparent that the current perspectives for human existence are in many respects connected with the question of what role art and philosophy are capable of playing in the conceptualization of the created technological world and axiological orienting in this world. Each time we contemplate the latest work of art, we inevitably must ask ourselves a question about its ontological qualities in relation to the nature of the technological. Does the given concrete work of art contribute to technologically approving conditional subordination and manipulation, or does it at first affirm the version of dehumanizing reality that is unfolding before our eyes, and then subtly abolish this law, offering the viewer a more complex permutation of rules? Such a practice bears witness to the abilities of the artist – and, in the end, the viewer himself – not simply to endow technological space with cognitive or aesthetic content, but, above all, with existential one. In this manner, by demonstrating the logic of the creation of new technological forms and new identities, art articulates the primary task of the individual living in the age of new technologies: the construction of a living future (that is, a future that endows us with freedom), and not a dead, mechanized future that is being built without our participation.
M-ITI participated in this year’s edition of “Ciência no Mercado”, which took place at the fish market of Mercado dos Lavradores, November 22, 18:00-22:00. This event was organized by Arditi, and fell within the framework of the international Week of Science and Technology, and it was an opportunity for the general public to interact and learn about the R&D done in Madeira, having the chance to interact with the robots developed by the ERA Chair project.
University of Madeira (UMa) students from the 1st and 2nd years of the degrees in Informatics Engineering, Electronics and Telecommunications Engineering; and the 2nd year of the Higher Technical Professional Degree in Networks and Computer Systems, visited M-ITI on October 24.
This visit was part of UMa’s annual Dia do Investigador event in line with the European Commission Marie Curie “Researchers Night”, opening the labs to the general public.
During the visit, M-ITI researchers presented M-ITI projects, including Probot, RootIo, the Neurorehab Lab, the new CNC Vertical Milling Machine, PRSMA, Yasmin Adventures, and Fragments of Laura.